A Piece of Legacy 农场的幽灵
I stepped into a longabandoned cinema with a bunch of urban adventure enthusiasts. This cinema is one of a large state-owned farm‘s facilities. Large state-owned farms were common in China in the last century, mostly established by the intellectual youth that went to the countryside and stayed there to flourish. But with the reform of the economic system, the state-owned farms that were so desirable to everyone during the planned economy gradually fell into decline.This project is a tribute to that era , deriving from the collected objects.
Founded in 1955, Shimen Farm is very famous
as a state-owned farm in my hometown. It
was the political, economic and cultural center
of the region during the planned economy,
with the most cutting-edge equipment and
facilities, as recalled by former residents on the
Internet: "In the old days, the farm was a small
world with all the support needed for a city,
its own small government, its own stores and
markets, its own hospital, its own kindergarten,
elementary and junior high school, and there
are cinemas and parks. In the days of the
planned economy, it was an enviable large
state-owned enterprise." But with the wave of
reform of state-owned enterprises, this large
state-owned farm, originally reclaimed and
built by countless young people, gradually fell
into decline, and some of its facilities were
abandoned, becoming the so-called "Liminal
Space". When I followed a group of urban
exploration enthusiasts into the cinema of
Shimen Farm and opened the door of the film
projection room, I found that the objects inside
had been last updated in the 1990s which was
the culmination of the economic reforms. I
also found several pieces of blank film covered
with dust, the accumulation of which began
with the decline of the area. As a young
person who had not experienced the planned
economy, I had a strong desire to explore all
the objects found in this room. However, in the
local government's plan, this area will soon
be renovated, and the buildings and facilities
that once existed may no longer exist. For
the purpose of preservation, I bagged these
objects that had been left unattended for 30
years and brought them back to my studio to
organize and categorize them. And these dusty
blank films became a key part of my practice.